Curating and the Legacies of Colonialism in Contemporary Iberia , livre ebook

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Combining postcolonial studies, curating and contemporary art, this book surveys the role played by artistic curatorship and contemporary art museums in the shaping of identities and cultural planning in contemporary Iberia. The book’s main hypothesis is that contemporary art has been pivotal in the construction of contemporary Iberia, a process marked by the attention paid (in heterogeneous, not always satisfactory ways) to the entanglement of the legacies of colonialism and the present-day status of Iberian territories as cosmopolitan societies now integrated in the European Union. It is argued that, at least from the 1990s, curating emerged as a key activity for Iberian societies to display and configure an image of themselves as modern and fully integrated in the European cultural landscape. Such an image, however, had to cope with the legacies of colonialism and the profound socioeconomic transformations of these societies. This book is concerned with bringing together, while redefining and expanding, Iberian and curatorial studies.


Acknowledgements
List of Illustrations
List of Contributors
Introduction: Fictions of Cosmopolitanism, Spectacles of Alterity. Curating and the (Un)Making of Coloniality in Contemporary Iberia. - Carlos Garrido Castellano and Bruno Leitão
Part I: Displaying Coloniality
Chapter 1: Remapping Disciplines, Displaying Possibilities. A Curatorial Studies-Based Approach to Iberian Studies. - Carlos Garrido Castellano
Chapter 2: Curatorial displacements in Spain before and after the 2000s: Coloniality tricks, exhibition eclipses and critical agencies. - Olga Fernández López
Chapter 3: The Exhibition as Representative Strategy for Cultural Diversity: Barcelona, 1992-2011. - Pep Dardanyà
Chapter 4: Displaying Postcolonial Spain. A Conversation between Juan Guardiola and Carlos Garrido Castellano. - Juan Guardiola, Carlos Garrido Castellano
Chapter 5: - Discourses of the Common Public Space: Identity, Memory and History in the Exhibitions of Autonomous Galicia. - Manuel Gago
Chapter 6: Curating Equatorial Guinea: Narratives of Spanish Colonialism in Central Africa as Told through Exhibitions. - Inés Plasencia Camps
Part II: Curating beyond Exhibition-Making
Chapter 7: What’s Someone Like You Doing in a Place Like This? Curatorial Processes, Ethno-Racial Agency and Coloniality in the Spanish State - Suset Sánchez Sánchez
Chapter 8: Négritude: Approximations of a Century of Artistic Relations between the Canary Islands and Africa - Adonay Bermúdez
Chapter 9: Visible Matters. A Short Exchange between Elvira Dyangani Ose and Carlos Garrido Castellano - Elvira Dyangani Ose
Chapter 10: The Gulbenkian Foundation’s Próximo Futuro Programme and the Challenges of Curating Difference - Bruno Leitão
Chapter 11: Documenting Postcolonial Curating. Thoughts on Buala One Decade On - Marta Lança
Part III: Insurgent Interventions
Chapter 12: Rumors: Representations: Revolutions - María Íñigo Clavo
Chapter 13: Between false steps and post-/decolonial recompositions in progress.
The Museum of Ethnology and World Cultures in Barcelona - Cristina Balma Tívola
Chapter 14: ARTifariti: an artistic, political and committed encounter with the Sahrawi people - Aurora Alcaide Ramírez
Chapter 15: Geopolitical Shifts and Diasporic Struggles in Former Metropolitan Territories  - Nancy Garín, Antoine Silvestre
Chapter 16: Angolan Art: A Conversation on Curating, Archives, Coloniality and Diaspora - Paula Nascimento, Adriano Mixinge
Chapter 17: Insurgent Aesthetics: Creole Rap from the Outskirts of Lisbon - Otávio Raposo, Pedro Varela
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Date de parution

01 juin 2022

Nombre de lectures

0

EAN13

9781786838742

Langue

English

Poids de l'ouvrage

8 Mo

IBER I A N A ND L ATIN A MER IC A N STUDIES
Curatîng and the Legacîes of Coonîaîsm în Contemporary Iberîa
Serîes Edîtors Professor Davîd George (Swansea Unîversîty) Professor Pau Garner (Unîversîty of Leeds)
Edîtorîal Board Samue Amago (Unîversîty of Vîrgînîa) Roger Bartra (Unîversîdad Autónoma de Méxîco) Pau Castro (Unîversîty of Gasgow) Rîchard Cemînson (Unîversîty of Leeds) Catherîne Davîes (Unîversîty of London) Luîsa-Eena Degado (Unîversîty of Iînoîs) Marîa Degado (Centra Schoo of Speech and Drama, London) Wî Fower (Unîversîty of St Andrews) Davîd Gîes (Unîversîty of Vîrgînîa) Gareth Waters (Swansea Unîversîty) Duncan Wheeer (Unîversîty of Leeds)
Other tîtles în the serîes Spaîn îs dîfferent? Hîstorîca memory and the ‘Two Spaîns’ în turn-of-the-mîennîum Spanîsh apocayptîc ictîons Dae Knîckerbocker Bood, Land and Power: The Rîse and Fa of the Spanîsh Nobîîty and Lîneages în the Eary Modern Perîod Manue Perez-Garcîa Fantastîc Short Storîes by Women Authors from Spaîn and Latîn Amerîca: A Crîtîca Anthoogy Patrîcîa Gracía and Teresa López-Peîsa Carmen Martín Gaîte: Poetîcs, Vîsua Eements and Space Ester Bautîsta Boteo The Spanîsh Anarchîsts of Northern Austraîa: Revoutîon în the Sugar Cane Fîeds Robert Mason Pauo Emîîo Saes Gomes: On Brazî and Goba Cînema Maîte Conde and Stephanîe Dennîson The Tateoco Massacre, Mexîco 1968, and the Emotîona Trîange of Anger, Grîef and Shame: îscourses of Truth(s) Vîctorîa Carpenter
IBERIAN AND LATIN AMERICAN STUDIES
Curatîng and the Legacîes of Coonîaîsm în Contemporary Iberîa
Edîted by CARLOS GARRIDO CASTELLANO AND BRUNO LEITÃO
UNIVERSITY OF WALES PRESS 2022
© The Contrîbutors, 2022
A rîghts reserved. No part of thîs book may be reproduced în any mate-rîa form (încudîng photocopyîng or storîng ît în any medîum by eectronîc means and whether or not transîenty or încîdentay to some other use of thîs pubîcatîon) wîthout the wrîtten permîssîon of the copy-rîght owner. Appîcatîons for the copyrîght owner’s wrîtten permîssîon to reproduce any part of thîs pubîcatîon shoud be addressed to the Unîversîty of Waes Press, Unîversîty Regîstry, Kîng Edward VII Avenue, Cardîff CF10 3NS.
www.uwp.co.uk
Brîtîsh Lîbrary CIP A cataogue record for thîs book îs avaîabe from the Brîtîsh Lîbrary.
ISBN e-ISBN
978-1-78683-873-5 978-1-78683-874-2
The rîghts of the Contrîbutors to be îdentîied as authors of thîs work has been asserted în accordance wîth sectîons 77 and 79 of the Copyrîght, Desîgns and Patents Act 1988.
Typeset by Mark Hesîngton Ltd, Scarborough, North Yorkshîre Prînted by CPI Antony Rowe, Meksham, Unîted Kîngdom
Contents
Serîes Edîtors’ Foreword Acknowedgements Lîst of Contrîbutors Lîst of Iustratîons
Introductîon: Fîctîons of Cosmopoîtanîsm, Spectaces of Aterîty. Curatîng and the (Un)Makîng of Coonîaîty în Contemporary Iberîa Caros Garrîdo Casteano and Bruno Leîtão
îx xîîî xxî
1
Part I: Dîsplayîng Colonîalîty 1 Remappîng Dîscîpînes, Dîspayîng Possîbîîtîes: A Curatorîa Studîes-Based Approach to Iberîan Studîes 22 Caros Garrîdo Casteano 2 Curatorîa Dîspacements în Spaîn before and after the 2000s: Coonîaîty Trîcks, Exhîbîtîon Ecîpses and Crîtîca Agencîes 39 Oga Fernández López 3 The Exhîbîtîon as Representatîon Strategy for Cutura Dîversîty: Barceona, 1992–2011 57 Pep Dardanyà 4 Dîspayîng Postcoonîa Spaîn: A Conversatîon between Juan Guardîoa and Caros Garrîdo Casteano 75 Juan Guardîoa and Caros Garrîdo Casteano
v
î
5
6
Contents
Dîscourses of the Common Pubîc Space: Identîty, Memory and Hîstory în the Exhîbîtîons of Autonomous Gaîcîa Manue Gago
Curatîng Equatorîa Guînea: Narratîves of Spanîsh Coonîaîsm în Centra Afrîca as Tod through Exhîbîtîons Inés Pasencîa Camps
Part II: Curatîng beyond Exhîbîtîon-Makîng 7 What’s Someone Lîke You Doîng în a Pace Lîke Thîs? Curatorîa Processes, Ethno-Racîa Agency and Coonîaîty în the Spanîsh State Suset Sánchez Sánchez 8Négrîtude: Approxîmatîons of a Century of Artîstîc Reatîons between the Canary Isands and Afrîca Adonay Bermúdez 9 Vîsîbe Matters: A Short Exchange between Evîra Dyanganî Ose and Caros Garrîdo Casteano Evîra Dyanganî Ose 10 The Gubenkîan Foundatîon’sPróxîmo FuturoProgramme and the Chaenges of Curatîng Dîfference Bruno Leîtão 11 Documentîng Postcoonîa Curatîng: Thoughts on Buaa One Decade On Marta Lança
Part III: Interventîons 12 Rumours, Representatîons, Revoutîons María Íñîgo Cavo 13 Between Fase Steps and Postcoonîa/Decoonîa Recomposîtîons în Progress: The Museum of Ethnoogy and Word Cutures în Barceona Crîstîna Bama-Tívoa
87
116
133
149
165
174
186
202
213
Contents
14 ARTîfarîtî: An Artîstîc, Poîtîca and Commîtted Encounter wîth the Sahrawî Peope Aurora Acaîde Ramírez 15 Geopoîtîca Shîfts and Dîasporîc Strugges în Former Metropoîtan Terrîtorîes Nancy Garín and Antoîne Sîvestre
16 Angoan Art: A Conversatîon on Curatîng, Archîves, Coonîaîty and Dîaspora Paua Nascîmento and Adrîano Mîxînge
17 Insurgent Aesthetîcs: Creoe Rap from the Outskîrts of Lîsbon Otávîo Raposo and Pedro Varea
Index
vîî
230
251
270
281
301
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Serîes Edîtors’ Foreword
Over recent decades the tradîtîona ‘anguages and îteratures’ mode în Spanîsh departments în unîversîtîes în the Unîted Kîngdom has been superseded by a contextua, înterdîscîpînary and ‘area studîes’ approach to the study of the cuture, hîstory, socîety and poîtîcs of the Hîspanîc and Lusophone words – cate-gorîes that extend far beyond the conines of the Iberîan Penînsua, not ony în Latîn Amerîca but aso to Spanîsh-speakîng and Lusophone Afrîca. In response to these dynamîc trends în research prîorîtîes and currîcuum deveopment, thîs serîes îs desîgned to present both dîscîpînary and înterdîscîpînary research wîthîn the genera ied of Iberîan and Latîn Amerîcan Studîes, partîcuary studîes that expore a aspects of Cutura Productîon (înter aîa îterature, im, musîc, dance, sport) în Spanîsh, Portuguese, Basque, Cataan, Gaîcîan and îndîgenous anguages of Latîn Amerîca. The serîes aso aîms to pubîsh research în the Hîstory and Poîtîcs of the Hîspanîc and Lusophone words, at the eve of both the regîon and the natîon-state, as we as on Cutura Studîes that expore the shîftîng terraîns of gender, sexua, racîa and postcoonîa îdentî-tîes în those same regîons.
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